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Chanteur Country, DJ et personnalité TV US né Joe Marion Allison,
le 3 octobre 1924 à McKinney (Texas). Joe Allison est décédé le 2 août 2002 à
Nashville (Tennessee).
Although he
is best-known to country fans — if he is known at all — as the writer of hits by
Jim Reeves,
Tex Ritter and
Faron Young, Joe Allison contributed
immeasurably to country music's birth as an urban phenomenon during the 1950s
and '60s. He began as a deejay in Texas, but worked his way up during the '50s —
as a TV presenter, producer and record executive — to influence the spread of
country and its impact on the nation. Born in McKinney, TX, on October 3, 1924,
Allison entered the business performing on a
Tex Ritter tour in 1945. He returned to his home state that same year and
began to work as a deejay in San Antonio. A song he wrote for
Ritter, "When You Leave Don't Slam the
Door," hit the Country Top Five in October 1946.
With a bit of fame to his name, Joe Allison worked in Memphis radio during the
late '40s. In 1949, he moved to Nashville to host a daily show on WSIX and WSM
that became a springboard for future stars such as
the Everly Brothers,
Chet Atkins and
Brenda Lee. After a move to Los Angeles in
1952, Allison balanced radio and songrwriting careers; he replaced
Tennessee Ernie Ford at KXLA and
wrote hits — some co-written by his first wife, Audrey — for
Faron Young ("Live Fast, Love Hard, Die
Young" and "It's a Great Life [If You Don't Weaken]") and
Tommy Sands ("Teenage Crush"). Joe
Allison's most important songwriting credit came in 1960, when
Jim Reeves took "He'll Have to Go" to
the top of the Country chart for 14 weeks. The single reached number two on the
pop charts also.
Also in 1960, Allison moved to an executive post for Liberty Records: developing
and running the first specifically Country department at a record label. During
the '60s, Allison was influential in spreading commercial country radio to big
urban markets and he was also involved in the founding of the Country Music
Association, enough to earn their achievement award in 1964. By 1967, he had
moved into independent producing and worked on material by
Hank Thompson,
Roy Clark,
Tex Ritter and
Willie Nelson. In the late '70s, he was
inducted into both the D.J. Hall of Fame and the Nashville Songwriters Hall of
Fame.
http://www.nashvillesongwritersfoundation.com/fame/allison.html
Talents : Singer, Songwriter, Deejay, TV Personality, Scriptwriter, Record Producer, Industry Executive
Style musical : Nashville Sound
Années en activité :
| 1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 |
DISCOGRAPHIE
Singles
| 1950 | SP CAPITOL 1067 (US) | Roses I Picked For Our Wedding / Two Hearts Are Better |
| 1950 | SP CAPITOL 1122 (US) | Goodnight Irene / Let Your Conscience Be Your Guide |
| 1950 | SP CAPITOL 1308 (US) | Statue In The Bay / It Is No Secret |
| 1951 | SP CAPITOL 1414 (US) | TV Blues / Heartbreak Avenue |
| 1951 | SP CAPITOL 1553 (US) | Domino Gal / Let Me Give You A Clue |
| 1951 | SP CAPITOL 1899 (US) | Brand New Broom / What Happened |
| 1952 | SP CAPITOL 2052 (US) | Doodlin' / Thanks For Loving Me |
| 1958 | SP DOT 15714 (US) | Foggy River / Baby Doll |
© Rocky Productions 4/02/2005