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 Duo Country 
US, les Farmer Boys se composaient de Bobby Adamson (né le 
20 Septembre 1933 à Exeter (Californie)) et de Woodie Wayne Murray (né le 11 
Septembre 1933 à Deer (Arkansas)). C'est leur cousin Herb Henson qui les fit enregistré chez Capitol Records en 1955.
 Duo Country 
US, les Farmer Boys se composaient de Bobby Adamson (né le 
20 Septembre 1933 à Exeter (Californie)) et de Woodie Wayne Murray (né le 11 
Septembre 1933 à Deer (Arkansas)). C'est leur cousin Herb Henson qui les fit enregistré chez Capitol Records en 1955.
 From the 
early '50s until 1964, the Farmer Boys tried hard to make it as a national 
recording act, mixing Western swing with honky tonk, and in the process, helping 
to found the Bakersfield sound. Bobby Adamson (born September 20, 1933) and his 
fellow Arkansan Woody Murray (born September 11, 1933) were transplanted 
Southerners living in California and met when a teenage Adamson started singing 
along to a record on a jukebox and was joined by Murray.
 From the 
early '50s until 1964, the Farmer Boys tried hard to make it as a national 
recording act, mixing Western swing with honky tonk, and in the process, helping 
to found the Bakersfield sound. Bobby Adamson (born September 20, 1933) and his 
fellow Arkansan Woody Murray (born September 11, 1933) were transplanted 
Southerners living in California and met when a teenage Adamson started singing 
along to a record on a jukebox and was joined by Murray. 
They started singing together informally at dances around 1952, with Adamson on 
lead and Murray handling harmonies and playing rhythm guitar. After appearing at 
the Happy-Go-Lucky Club in Tulare, they were invited by Cousin Herb Henson to 
appear on his nightly television show on KERO out out of Bakersfield, CA, where 
they became regulars, performing five nights a week. Henson dubbed the duo the 
Farmer Boys, due to their both having lived in Farmersville, CA, and the name 
stuck. 
The duo had auditioned without success for MGM Records, then a major country 
label. At the end of 1954, however, they auditioned for Ken 
Nelson at Capitol Records, and their first recording session followed on January 
12, 1955. Nelson intended to make them Capitol's answer to 
Homer & Jethro, and their first session resounded with these influences in 
songs like "You're a Humdinger" and "Onions, Onions," of which the latter became 
their most requested song and something of a signature tune. Novelty songs 
became their mainstay, with numbers like "Flip Flop" becoming successful 
singles. 
the Farmer Boys began playing the Grand Ole Opry and touring 
with 
Webb Pierce, 
Hank Locklin, and 
Carl Smith, as well as 
Elvis Presley. It was the effect that 
Elvis was having on music that resulted in the Farmer Boys cutting their own 
rockabilly sides at the behest of Nelson, who wanted to try to compete for the 
youth market. In May of 1956, they recorded a pair of near-classics, "Cool Down 
Mame" and "My Baby Done Left Me." 
Their real sound was country, however, and they quickly returned to their roots. 
The duo's lead guitarist on most of their sessions was
Merle Haggard alumnus Roy Nichols, whose lean, crisp playing helped give 
their records a special impact. By their last session for Capitol, in early 
1957, their backing group was the Desert Stars, whose members included lead 
guitarist Gene Breedon and pedal steel player Norman Hamlet, as well a young
Buck Owens, who wrote or co-wrote all four songs from the session, on rhythm 
guitar. 
By that time, Adamson and Murray had tired of doing nothing but silly novelty 
numbers and wanted to add more ballads to their repertory. The Capitol contract 
ended in 1957, and the group never did release another record. They tried 
working with Breedon in a session, and
Buck Owens remained enough of a fan to attend 
their performances, even as his own career was taking off. the Farmer Boys 
called it quits in 1964, leaving behind a fascinating and varied body of work, 
including honky tonk numbers, novelty tunes, a smattering of rockabilly (which 
has gotten them pegged in that category by faulty rock & roll historians), all 
representing some of the prime early examples of the Bakersfield sound. 
https://en.wikipedia.org/wiki/The_Farmer_Boys
Style musical : Traditional Country, Honky Tonk, Rockabilly
| YOU'RE A 
	HUMDINGER (1955)  
	LEND A 
	HELPIN' HAND (1955)
	 MY 
	BABY DONE LEFT ME (1956)
	 
	
	SOMEHOW, SOMEWAY, SOMEDAY (1956) 
	 
	COOL DOWN MAME (1956)
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Years in activity :
| 1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 | 10 | 20 | 
DISCOGRAPHY
Singles
| 04/1955 | SP CAPITOL F3077 (US) | You're A Humdinger  / I'm Just Too Lazy | 
| 06/1955 | SP CAPITOL F3162 (US) | Lend A Helpin' Hand  / Onions, Onions | 
| 10/1955 | SP CAPITOL F3246 (US) | It Pays To Advertise / You Lied | 
| 01/1956 | SP CAPITOL F3322 (US) | Flip Flop / Charming Betsy | 
| 07/1956 | SP CAPITOL F3476 (US) | My Baby Done Left Me  / 
	Somehow, Someway,
      Someday  | 
| 11/1956 | SP CAPITOL F3569 (US) | Cool Down Mame  / 
	Oh ! How It Hurts  | 
| 06/1957 | SP CAPITOL F3732 (US) | Flash, Crash And Thunder / Someone To Love | 
| 11/1957 | SP CAPITOL F3827 (US) | No One / Yearning, Burning Heart | 
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Albums
| 1974 | LP 12" CMH CMH 235 (GER) |  | Songs Of The Farmer Boys - You Lied / You're A Humdinger / I'm Just Too Lazy / Onions, Onions / Lend A Helpin' Hand ./ Charming Betsy / It Pays To Advertise / Flip Flop / Oh! How It Hurts / Somehow, Someway, Someday / Cool Down Mama / Flash, Crash And Thunder / Yearning, Burning Heart / My Baby Done Left Me / No One / Someone To Love | 
| 06/1994 | CD BEAR FAMILY BCD 15579 (US) |  | FLASH, CRASH AND THUNDER - Flash, Crash And Thunder / Cool Down Mame / Yearning, Burning Heart / Somehow, Someway, Someday / Flip Flop / Charming Betsy / Lend A Helpin' Hand / It Pays To Advertise / Someone To Love / My Baby Done Left Me / Oh! How It Hurts / No One / You Lied / You're A Humdinger / I'm Just Too Lazy / Onions, Onions | 
© Rocky Productions 9/04/2024