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Chanteur Country-Folk US né le 13
Août 1951 à Peoria (Illinois).
Dan Fogelberg est décédé d'un cancer à la prostate à Deer Isle (Maine), le 16
Décembre 2007.
If James
Taylor epitomized the definition and the original, late-'60s incarnation of the
term singer/songwriter, Dan Fogelberg exemplified the late-'70s equivalent of
that term at its most highly developed and successful, with a string of platinum-selling
albums and singles into the early '80s and a long career since, interrupted only
by a health crisis in more recent years. He came out of a musical family, born
Daniel Grayling Fogelberg on August 13, 1951, in Peoria, IL, where his father
was an established musician, teacher, and bandleader. His first instrument was
the piano, which he took to well enough, and music mattered to him more than the
sports that were the preoccupation of most of the boys around him. At age ten,
he was saving and listening to any old records he could find. And if there's a "God-shaped
space" in everyone, Fogelberg's was filled with music, something his family
might've guessed if they'd seen how much he loved the music in church but was
bored by the sermons. His other great passions were drawing and painting. His
personal musical turning point came in the early '60s, before he'd reached his
teens. A gift of an old Hawaiian guitar from his grandfather introduced him to
the instrument that would soon supplant the piano, and at age 12, he heard the
Beatles for the first time, which not only led him to a revelation about how
electric guitars could sound, but also made him notice for the first time the
act of songwriting as something central to what musicians did. It was also at
that point that he began picking up on the music of
Carl Perkins,
Chuck Berry,
Little Richard, and
Buddy Holly, all of whom were, of course,
in the Beatles' repertory.
He started writing songs soon after, and by the time he was 13, he was in a band
called the Clan, playing school events with a repertory that mostly consisted of
Beatles songs. Of all the members, he was the one who stayed with music, and his
taste and interests evolved with the music around him. By the time he was in his
mid-teens, he was listening to the Byrds and Buffalo Springfield, and was
finding inspiration in the sounds and songs of
Gene Clark, Stephen Stills, Chris
Hillman, Neil Young, and Richie Furay, among others. His second band, the
Coachmen, who'd started out doing Paul Revere & the Raiders-style dance-oriented
R&B, evolved into a more progressive folk-rock outfit, even embracing some of
Springfield's more ambitious repertory. Yet, somehow, for all of that devotion
to music, he didn't plunge directly into the field. Had he been living in
California, in Los Angeles or San Francisco, it might've been different, but in
the absence of a highly receptive audience, or a surrounding coterie of serious
musician friends, or much encouragement anywhere in Peoria to pursue music, he
ended up embracing other goals. After finishing high school, it was on to the
University of Illinois at Champaign as a drama major, in hopes of an acting
career, and then a switch to painting.
This was all going on amid the political agonies of the Vietnam War, which was
still going on full-tilt at the time, and Fogelberg wasn't isolated from the
tensions over the war as they manifested themselves. He fell back into music
through one of the relatively few public centers for what passed for a
counterculture in central Illinois, a club called The Red Herring, owned by a
friend named Peter Berkow. The latter invited Fogelberg to play, and soon he was
building a local audience with his sound and his songs, and it was from that
beginning that Fogelberg came to the attention of a University of Illinois
alumnus named Irving Azoff, who at the time was managing REO Speedwagon and was
thinking that it was time for him to move up to the next level in the music
business. One performance by Fogelberg, accompanied by his solo acoustic guitar
at an otherwise drunken fraternity event in front of a singularly oblivious
audience, sold Azoff on his prospects and the idea that his own future might
well be quite favorable if tied to Fogelberg. He moved to Los Angeles and Azoff
began the task of getting him signed. In the interim, he played some sessions
and even rated a support gig on tour with Van Morrison, in a series of shows
that also included Dan Hicks & His Hot Licks. His demo tape was good enough to
get serious attention from Jerry Moss at A&M Records and David Geffen at the
newly established Asylum Records, but it was the legendary Clive Davis, then
still at Columbia Records, who got Fogelberg under contract.
Fogelberg's debut album, Home Free (1972), recorded in Nashville, with
Norbert Putnam producing, was an embarrassment of riches, musically speaking. It
was a sublimely beautiful melding of country-rock with the personal level of a
singer/songwriter, reminiscent at times of
Gene Clark's solo work, and also encompassing sounds derived from the likes
of Stephen Stills, David Crosby, Graham Nash, and Neil Young, yet never sounding
too much like the joint work of those three (or four) and always sounding like
Fogelberg. But it was a lot like several other brilliant debut albums to come
out of the Columbia Records orbit during Davis' tenure, including Child Is
Father to the Man by the original Blood, Sweat & Tears and Greetings from
Asbury Park by Bruce Springsteen, in that it never generated a hit single to
help drive sales. Everyone who heard the album loved it, but without a single to
generate AM radio play, very few people heard it; in Davis' view, fine as it was,
Home Free was a little too country-ish for mainstream radio, and fell
between the cracks between pop/rock and country playlists. A few years later,
after the success of acts such as the Eagles,
such distinctions would matter less, but in 1972, the music marketplace was that
segregated stylistically. Fogelberg kept working, mostly as a session musician,
turning up on Buffy Saint-Marie's MCA debut LP, Buffy, and on Jackson
Browne's Late for the Sky, among other early- to mid-'70s albums. He also
managed to continue with Columbia with help from his manager. Azoff's own Full
Moon label had a production and distribution deal with Columbia, through its
Epic Records imprint, and it was by way of Epic/Full Moon that he got a second
chance. This time out, however, Fogelberg would record in Los Angeles with
guitarist/producer Joe Walsh. Fogelberg quickly discovered that he had a
sympathetic and enthusiastic partner in Walsh, and everything literally fell
into place, even Graham Nash's presence (at Walsh's request) singing harmonies
on the resulting album, Souvenirs, which featured a range of renowned Los
Angeles-based musicians. The results were more than golden — they ended up
double platinum, as "Part of the Plan" reached the Top 20 in 1974 and
Souvenirs rode those charts for six months and sold steadily for years after.
The album had mostly the same mix of elements as its predecessor, but this time
it was widely heard and accepted. The country-flavored rock of "Part of the
Plan," the reflective singer/songwriter work of "Song from Half Mountain," the
bluegrass-flavored "Morning Sky," and the heavier "As the Raven Flies" (which
recalled Neil Young's "Ohio") — all seemed to fit together perfectly.
Now Fogelberg was a star, leading an Illinois-spawned band called Fool's Gold
and touring almost constantly for the next two years. In the midst of it all, he
completed a third album, Captured Angel (1975) — which he produced
himself this time — which showed him extending his sound in more ambitious
directions, and in surprising circumstances. It was during 1975 that he'd
returned home to spend time with his father, who had been hospitalized, and
afterward, while staying in Peoria, cut what were supposed to be demos of the
songs he wanted to use on his new album, with Fogelberg playing every instrument
and doing all the Vocals. Instead, when Azoff and Davis heard the demos, they
insisted that this was the album, and that he could never recapture the feel
he'd gotten on songs like "Comes and Goes" working with other musicians. He
eventually came to an agreement with the label that the percussion parts would
be redone by Russ Kunkel, and the final version of Captured Angel
included Norbert Putnam on bass on certain tracks, and Al Perkins on pedal steel
guitar and David Lindley on fiddle, plus some string arrangements by Glen Spreen,
but otherwise it was truly a Fogelberg solo effort. That album only solidified
his fame, as well as making him a special favorite of college students (especially
coeds) across the country, and a tour with the
Eagles in 1975 — who, by then, were being managed by Azoff — only enhanced
his profile.
Fogelberg moved to Colorado in the mid-'70s, and his initial time there resulted
in the songs that became the basis for his next album, Nether Lands
(1977). Ironically, the songs came at the end of an extended dry spell as a
songwriter, the first of his adult life. He found himself unable to compose for
months, and then, suddenly, he started writing again, but in a much more ornate,
elaborately conceived, classically influenced idiom. The songs were bolder both
lyrically and musically — the title track, in particular, was notable for
employing the services of composer/arranger Dominic Frontiere in orchestrating
it. The album was a hit, and he was still riding that initial wave of
recognition and the concertizing that went with it, even if he was now taking
the audience in some unexpected directions. Fogelberg decided at this point to
step back a bit — get off that wave — and do something purely for his own
satisfaction musically. In 1978, he began work on a record that was to be more
of a personal indulgence than anything else, the non-commercial side of Dan
Fogelberg, sort of his equivalent to those instrumental albums that Frank
Sinatra had issued as a conductor a couple of times in his career, or Neil
Young's later Everybody's Rockin'. He teamed up on what became a duo
album with jazz flutist Tim Weisberg for the album Twin Sons of Different
Mothers (1978) — but instead of being a curio or a footnote in his output,
it ended up charting high and generating a huge hit single in the guise of "The
Power of Gold" (which, ironically, had been added to the LP at the last minute).
The album ended up in the Top 20 and was embraced by critics and the public
alike. For the next few years, Fogelberg was literally riding a creative and
commercial whirlwind, peaking with his 1980 album Phoenix, which was
propelled to platinum status with help from the number two single "Longer." The
year before, he also fulfilled a longtime career goal by playing Carnegie Hall
in New York, to a sellout audience that included his parents.
Fogelberg's career in the 1980s began with an unexpected turn — concept albums
were common enough by then, but most record labels also tended to strongly
discourage the recording of double LPs, owing to the expense and the
difficulties in selling and marketing them. But midway through finishing his
next album, and with the single "Same Old Lang Syne" already in release and
record stores and buyers poised for a new LP, he suddenly decided to expand the
planned record, writing new songs and effectively doubling its length, as well
as delaying it well into 1981, the better part of a year beyond what the label
or his manager had planned on. The result was his boldest production to date,
The Innocent Age (1981), a massive project featuring some VIP collaborators
(including Joni Mitchell and Emmylou Harris),
from which four hit singles, the earlier "Same Old Lang Syne" plus "Run for the
Roses," "Hard to Say," and "Leader of the Band" (the latter a tribute to his
father), were ultimately extracted. That album marked his commercial peak, and
seemed to end a phenomenally popular and productive phase of his career. As
though to mark the transition, the following year Epic released its first hits
compilation on Fogelberg, a ten-song LP on which four of the slots were filled
by the singles off of The Innocent Age.
It was three years before his next new album, during which time Fogelberg's
musical sensibilities evolved in new and more specialized directions. He turned
toward more personal and experimental forms of music, none of which proved
remotely as popular with the public or with critics as his 1970s work.
Additionally, as was the case with many artists of the 1970s and earlier, the
playing field was fundamentally altered in the 1980s. MTV and music videos as
promotional devices became central to getting exposure and airplay, and
recording artists now needed a distinct visual style as well as a sound to make
it to the front rank; additionally, a new generation of music critics, most of
whom were bent on showing contempt for most of the favored artists of the
previous decade or two, were now speaking in the press. His 1984 album
Windows and Walls did reach the fans, and even generated a hit in "Language
of Love," but got a hostile reception from the critics of the period. And his
turn toward bluegrass music, helped in part by his contact with Chris Hillman,
who'd also turned back toward his bluegrass roots at the time (and recorded
Fogelberg's "Morning Sky" as the title track of his latest album), didn't make
him any more accessible to the mainline music critics of the day. The resulting
album, High Country Snows (1985), was a good seller and showed off
Fogelberg's roots brilliantly, but did nothing to enhance his pop credibility,
which had waned considerably over the previous three years.
Fogelberg withdrew somewhat in the years that followed, playing anonymously in
bars around Colorado as part of an outfit called Frankie & the Aliens, formed by
Joe Vitale. He seemed to be headed back to his teenage roots, and in the process
redefined himself musically. When he re-emerged with The Wild Places and
the worldbeat-flavored River of Souls in the early '90s, he was writing
what amounted to topical songs about the environment, a subject with which he'd
become much concerned since moving permanently to Colorado. By that time, he'd
established a fully equipped home studio that provided him with the independence
that he craved, and he was beholden to the record label merely as a conduit for
his work. Epic, for its part, kept releasing Fogelberg's music, including a
superb 1991 live album called Greetings from the West, and his earlier
albums made perennially popular CD releases. Home Free was also
extensively remixed by Norbert Putnam for its CD re-release in 1988 (those
desiring to hear the original mix can find it on BGO's U.K. double-CD reissue of
Home Free/Souvenirs). Indeed, all of Fogelberg's compact discs reflected
an unusual degree of care in their production, especially for Columbia catalog
reissues of the era, when the label was often just slapping down the digital
masters and batting them out without an eye toward quality.
In 1995, he and Tim Weisberg did another collaboration together, No
Resemblance Whatsoever, which seemed to pick up right where their 1978 album
had left off without skipping a beat. In 1997, Columbia honored Fogelberg with a
four-CD career retrospective compilation entitled Portrait: The Music of Dan
Fogelberg from 1972-1997, looking back over his previous 25 years of work.
Fogelberg closed out the old century with First Christmas Morning, which
saw him plunge several centuries into the past in pursuing traditional holiday
music, evoking sounds that, in the context of work from a pop/rock artist, had
previously only been heard from Jan Akkerman on his Tabernakel album and
the work of the Amazing Blondel, nearly 30 years before. Finally, in 2003,
Fogelberg went back to the acoustic singer/songwriter sound of his early career
with the appropriately titled Full Circle album. This seemed like the
possible opening of a promising new phase to his work and career. Those
prospects were dashed in mid-2004, however, when Fogelberg was diagnosed with
advanced prostate cancer, to which he finally succumbed in late 2007.
https://en.wikipedia.org/wiki/Dan_Fogelberg
Talents : Vocals, Songwriter, Guitar, Piano
Style musical : Folk, Country Rock, Country-Folk, Soft Rock
Years in activity :
| 1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 | 10 | 20 |
DISCOGRAPHY
Singles
| 12/1972 | SP Columbia 4-45764 (US) | . | Any Way I Love You / Looking For A Lady |
| 10/1974 | SP Epic 8-50055 (US) | . | Part Of The Plan / Song From Half |
| 01/1975 | SP Epic EPC 2919 (NL) |
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Part Of The Plan / Song From Half Mountain |
| 05/1975 | SP FULL MOON 8-50108 (US) | . | Changing Horses / Morning Sky |
| 1975 | SP Epic EPC 3402 (NL) |
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Changing Horses / Morning Sky |
| 11/1975 | SP FULL MOON 8-50165 (US) | . | Next Time / Captured Angel |
| 1975 | SP Epic EPC 3822 (NL) |
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Next Time / Captured Angel |
| 01/1976 | SP FULL MOON 8-50189 (US) | . | Below The Surface / Comes And Goes |
| 04/1976 | SP FULL MOON 8-50234 (US) | . | The Crow / Old Tennessee |
| 04/1977 | SP FULL MOON 8-50412 (US) | . | Scarecrow's Dream / Love Gone By |
| 09/1977 | SP FULL MOON 8-50462 (US) | . | False Faces / Nether Lands |
| 1977 | SP Epic EPC 5483 (NL) |
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Nether Lands / Loose Ends |
| 03/1978 | SP FULL MOON 8-50536 (US) | . | Promises Made / Sketches |
| 06/1978 | SP FULL MOON 8-50577 (US) | . | Souvenirs / There's A Place In The World For A Gambler |
| 09/1978 | SP FULL MOON 8-50605 (US) | . | Dan FOGELBERG & Tim WEISBERG - Hurtwood Alley / Tell Me To My Face |
| 09/1978 | SP FULL MOON 8-50606 (US) | . | Dan FOGELBERG & Tim WEISBERG - The Power Of Gold / Lahaina Luna |
| 1979 | SP MEMORY LANE 15-2378 (US) | . | Love Gone By / Part Of The Plan |
| 12/1979 | SP FULL MOON 18-50824 (US) | . | Longer / Along The Road |
| 1980 | SP Epic EPC 8230 (NL) |
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Longer / Along The Road |
| 1980 | SP Epic EPC 8230 (I) |
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Longer / Along The Road |
| 03/1980 | SP FULL MOON 18-50862 (US) | . | Heart Hotels / Beggar's Game |
| 12/1980 | SP FULL MOON 19-50961 (US) | . | The Same Auld Lang Syne / Hearts And Crafts |
| 06/1981 | SP MEMORY LANE 15-02155 (US) | . | Longer / Heart Hotels |
| 09/1981 | SP FULL MOON 14-02488 (US) | . | Hard To Say / Innocent Age |
| 12/1981 | SP FULL MOON 14-02647 (US) | . | Leader Of The Band / Times Like These |
| 1981 | SP Epic EPCA 2098 (EUR) |
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Leader Of The Band / Times Like These |
| 05/1982 | SP FULL MOON 14-02821 (US) | . | Run For The Roses / Sand And The Foam |
| 07/1982 | SP MEMORY LANE 15-03087 (US) | . | Same Old Lang Syne / Hard To Say |
| 09/1982 | SP FULL MOON 34-03289 (US) | . | Missing You / Hearts And Crafts |
| 1982 | SP Epic 07 5P-206 (JAP) |
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Missing You / Hearts And Crafts |
| 01/1983 | SP FULL MOON 34-03525 (US) | . | Make Love Stay / Hearts And Crafts |
| 1983 | SP MEMORY LANE 15-03570 (US) | . | Make Love Stay / ? |
| 04/1983 | SP MEMORY LANE 15-03843 (US) | . | Leader Of The Band / Run For The Roses |
| 01/1984 | SP FULL MOON 34-04314 (US) |
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Windows And Walls / Language Of Love |
| 04/1984 | SP FULL MOON 34-04447 (US) | . | Believe In Me / Windows And Walls |
| 10/1984 | SP FULL MOON 34-04660 (US) | . | Sweet Magnolia And Traveling Salesman / Loving Cup |
| 03/1985 | SP FULL MOON 34-04835 (US) | . | Go Down Easy / High Country Snows |
| 1985 | SP Epic EPCA 6135 (EUR) |
 |
Go Down Easy / High Country Snows |
| 07/1985 | SP FULL MOON 34-05446 (US) | . | Down The Road / Mountain Pass |
| 1985 | SP MEMORY LANE 15-05498 (US) | . | Missing You / Make Love Stay |
| 04/1987 | SP FULL MOON 34-07044 (US) |
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She Don't Look Back / It Doesn't Matter |
| 07/1987 | SP FULL MOON 34-07275 (US) | . | Lonely In Love / Beyond The Edge |
| 11/1987 | SP FULL MOON 34-07640 (US) | . | Seeing You Again / Hearts In Decline |
| 04/1988 | SP FULL MOON 34-07756 (US) | . | Way It Must Be / What You're Doing |
| 08/1990 | SP FULL MOON 34-73513 (US) | . | Rhythm Of The Rain / Ever On |
| 1990 | SP Epic 656256 7 (NL) |
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Rhythm Of The Rain / Ever On |
| 1993 | CD Epic EPC 659914 2 |
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Magic Every Moment / A Voice For Peace / There's A Place In The World For A Gambler (live) |
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Albums
| 1972 | LP 12" Columbia KC-31751 (US) |
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HOME FREE - To The Morning / Stars / More Than Ever / Be On Your Way / Hickory Grove / Long Way Home (Live In The Country) / Looking For A Lady / Anyway I Love You / Wysteria / The River | |||||
| 10/1974 | LP 12" FULL MOON / EPIC JE-33137 (US) |
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SOUVENIRS - Part Of The Plan / Illinois / Changing Horses / Better Change / Souvenirs / The Long Way / As The Raven Flies / Song From Half Mountain / Morning Sky / (Someone's Been) Telling You Stories / There's A Place In The World For A Gambler | |||||
| 09/1975 | LP 12" FULL MOON / EPIC JE-34499 (US) |
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CAPTURED ANGEL - Aspen - These Days / Comes And Goes / Captured Angel / Old Tennessee / Next Time / Man In The Mirror- Below The Surface / Crow / The Last Nail | |||||
| 05/1977 | LP 12" FULL MOON / EPIC JE-34185 (US) |
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NETHER LANDS - Nether Lands / Once Upon A Time / Dancing Shoes / Lessons Learned / Loose Ends / Love Gone By / Promises Made / Give Me Some Time / Scarecrow's Dream / Sketches / False Faces | |||||
| 08/1978 | LP 12" FULL MOON / EPIC JE-35339 (US) |
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| 11/1979 | LP 12" FULL MOON / EPIC JE-35634 (US) |
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PHOENIX - Tullamore Dew / Phoenix / Gypsy Wind / The last To Know / Face The Fire / Wishing On The Moon / Heart Hotels / Longer / Beggar's Game / Along The Road | |||||
| 09/1981 | 2 LP 12" FULL MOON / EPIC KE2-37393 (US) |
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THE
INNOCENT AGE :
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| 10/1982 | LP 12" FULL MOON / EPIC FE-38308 (US) |
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GREATEST HITS - Part Of The Plan / Heart Hotels / Hard To Say / Longer / Missing You / The Power Of Gold / Make Love Stay / Leader Of The Band / Run For The Roses / Same Old Lang Syne | |||||
| 01/1984 | LP 12" FULL MOON / EPIC JE-39004 (US) |
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WINDOWS AND WALLS - The Language Of Love / Windows And Walls / The Loving Cup / Tucson Arizona (Gazette) / Let Her Go / Sweet Magnolia (And The Travelling Salesman) / Believe In Me / Gone Too Far | |||||
| 04/1985 | LP 12" FULL MOON / EPIC FE-39616 (US) |
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HIGH COUNTRY SNOWS - Down The Road / Go Down Easy / High Country Snows / The Higher You Climb / Mountain Pass / The Outlaw / Shallow Rivers / Sutter's Mill / Think Of What You've Done / Wandering Shepherd / Wolf Creek | |||||
| 05/1987 | LP 12" FULL MOON / EPIC EK-40271 (US) |
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EXILES - Exiles / What You're Doing / Lonely In Love / Seeing You Again / She Don't Look Back / The Way It Must Be / Hearts In Decline / It Doesn't Matter / Our Last Farewell | |||||
| 08/1990 | CD FULL MOON / EPIC EK-45059 (US) |
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THE WILD PLACES - Anastasia's Eyes / Blind To The Truth / Bones In The Sky / Ever On / Lovers In A Dangerous Time / Rhythm Of The Rain / Song Of The Sea / Spirit Trail / Wild Places | |||||
| 09/1993 | 2 CD FULL MOON / EPIC E2K-48625 (US) |
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DAN FOGELBERG LIVE - GREETINGS FROM THE WEST :
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| 09/1993 | CD FULL MOON / EPIC EK-46934 (US) |
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RIVER OF SOULS - Magic Every Moment / All There Is / The Minstrel / Faces Of America / Holy Road / Serengeti Moon / Higher Ground / A Love LIke This / River Of Souls / A Voice For Peace | |||||
| 11/1993 | CD Alex JAP406 (JAP) |
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Starbox - Part Of The Plan / There's A Place In The World For A Gambler / The Power Of Gold / Longer / Heart Hotels / Same Old Lang Syne / Leader Of The Band - Washington Post March / Run For The Roses / Hard To Say / Missing You / Make Love Stay / The Language Of Love / Believe In Me / Lonely In Love / Rhythm Of The Rain / The Wild Places | |||||
| 09/1995 | CD WARNER BROS. / WEA 24626-2 (US) |
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NO RESEMBLANCE WHATOEVER - Dan FOGELBERG & Tim WEISBERG - County Clare / Forever Jung / Todos Santos / Sunlight / Isle Au Haut / The Face Of Love / Songbird / Is This Magic / Stasia / Windwar | |||||
| 10/1995 | CD SONY A-37374 (US) |
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LOVE SONGS - Heart Hotels / Hard To Say / Longer / Make Love Stay / Leader Of The Band / Run For The Roses / Same Old Lang Syne / Lonely In Love / A Love Like This / Seeing You Again | |||||
| 10/1995 | 3 CD SONY 64814 (US) |
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Souvenirs /
Captured Angel / Nether Lands :
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| 06/1997 | 4 CD SONY E4K-67949 (US) |
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PORTRAIT
- THE MUSIC OF DAN FOGELBERG FROM 1972-1997 :
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| 01/1998 | CD SONY EL-65444 (US) |
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SUPER HITS - The Power Of Gold / Tullamore Dew / Pheonix / As The Raven Flies / The Language Of Love / Nexus / Beggar's Game / Tucson, Arizona (Gazette) / She Don't Look Back / Longer | |||||
| 05/1998 | CD SONY A-28450 (US) |
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PROMISES - To The Morning / Part Of The Plan / Souvenirs / Looking For A Lady / Song from Half Mountain / Leader Of The Band / More Than Ever / Comes And Goes / Old Tennessee / Promises Made | |||||
| 08/1998 | CD SONY CBU67560 (US) |
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Run for the Roses - Part Of The Plan / Longer / Bones In The Sky / Leader Of The Band / Since You've Asked / Run For The Roses / Missing You / As The Raven Flies / A Voice For Peace / Empty Cages / The Sand And The Foam / Make Love Stay / Ever On / A Love Like This | |||||
| 10/1999 | CD MORNING SKY 8001 (US) |
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THE FIRST CHRISTMAS MORNING - Bell Fantasy - Hark The Herald Angels Sing / At Christmas Time / Winterskol / The First Christmas Morning / The Endris Night / Feast Of Fools / I Saw Three Ships / Snowfall / In The Bleak Midwinter / Yule Dance / What Child Is This? / O, Tannenbaum / We Three Kings / Christ, The King | |||||
| 05/2000 | CD MORNING SKY 8002 (US) |
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SOMETHING OLD, NEW, BORROWED, AND SOME BLUES - Magic Every Moment / Songbird / The Innocent Age / As The Raven Flies / Hard To Say / Make Love Stay / Changing Horses / Looking For A Lady / You Better Think Twice / Don't Let That Sun Go Down / Statesboro Blues / Blow Wind Blow / She Don't Look Back / Here Comes The Sun | |||||
| 07/2001 | CD SONY EK-85280 (US) |
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THE VERY BEST OF DAN FOGELBERG - Nether Lands / Part Of The Plan / Heart Hotels / Longer / Hard To Say / Leader Of The Band / Same Old Lang Syne / Run For The Roses / Make Love Stay / Missing You / Language Of Love / Believe In Me / Lonely In Love / She Don't Look Back / Rhythm Of The Rain / Magic Every Moment / A Love Like This | |||||
| 03/2002 | 2 CD SONY 4805579 (US) |
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Definitive
Collection :
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| 2002 | 3 CD Epic ? (US) |
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36 All-Time
Favorites :
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| 05/2003 | CD MORNING SKY 8005 (US) |
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FULL CIRCLE - Half Moon Bay / When You're Not Near Me / Full Circle / Reason To Run / Once In Love / Whispers In The Wind / This Heart / Reach Haven Postcard / Drawing Pictures / Icarus Ascending / Earth Anthem | |||||
| 06/2003 | CD SONY EK-89066 (US) |
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THE ESSENTIAL - Longer / Make Love Stay / Heart Hotels / Same Old Lang Syne / The Power Of Gold / Hard To Stay / Phoenix / Part Of The Plan / Run For The Roses / Missing You / Rhythm Of The Rain - 11A. Rain / The Language Of Love / There's A Place In The World For A Gambler / A. Leader Of The Band - B. Washington Post March | |||||
| 04/2005 | CD SONY EK-93746 (US) |
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WISHING ON THE MOON - Longer / Phoenix / Hard To Say / Wishing On The Moon / Illinois / Nether Lands / As The Raven Flies / Stars / Once Upon A Time / Rhythm Of The Rain - Rain [live] | |||||
| 11/2005 | CD Madacy 51122 (US) |
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Rock Breakout Years - 1980 - To The Morning / Part Of The Plan / Souvenirs / Looking For A Lady / Song From Half Mountain / Leader Of The Band / More Than Ever / Comes And Goes / Old Tennessee / Promises Made | |||||
| 05/2006 | CD LEGACY 82876-76847-2 (US) |
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COLLECTIONS - The Power Of Gold / Tullamore Dew / Phoenix / As The Raven Flies / The Language Of Love / Nexus / Begger's Game / Tuscon, Arizona (Gazette) / She Don't Look Back / Longer | |||||
| 07/2006 | 2 CD Beat Goes On BGOCD 709 (UK) |
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Home Free /
Souvenirs :
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| 07/2007 | 2 CD Beat Goes On BGOCD 764 (UK) |
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Captured Angel /
Nether Lands :
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| 01/2009 | CD LEGACY 8869-7-27287-2 (US) |
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PLAYLIST - The Very Best Of Dan Fogelberg - Longer / Make Love Stay / Heart Hotels / Same Old Lange Syne / The Power Of Gold / Hard To Say / Phoenix / Part Of The Plan / Run For The Roses / Missing You / Rhythm Of The Rain / The Language Of Love / There's A Place In The World For A Gambler / Medley : Leader Of The Band - Washington Post March | |||||
| 03/2009 | CD The Store for Music SFMCD 060 (UK) |
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Live in Colorado 1977 - Now The Show Begins / Stars / Next Time / Morning Sky / Changing Horses / Part Of The Plan / Anyway I Love You / Long Way Home / As The Raven Flies / (Someone s Been) Telling You Stories / To The Morning | |||||
| 09/2009 | CD FULL MOON B0013368-02 (US) |
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Love in Time - Love In Time / Soft Voice / So Many Changes / Come To The Harbor / A Growing Time / The Colors Of Eve / Diamonds To Dust / The Nature Of The Game / Sometimes A Song / Days To Come / Birds | |||||
| 11/2009 | 3 CD SONY / BMG A759798 (US) |
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Triple Feature :
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| 10/2010 | 3 CD SONY 77871-2 (US) |
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THE Music Of Dan
Fogelberg :
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| 11/2011 | 2 CD Beat Goes On BGOCD 1021 (UK) |
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Twin Sons Of
Different Mothers / Phoenix :
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| 01/2012 | 5 CD Epic / SONY 1901092 (US) |
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Original Album
Classics :
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| 04/2012 | 2 CD Beat Goes On BGOCD 1039 (UK) |
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Windows and Walls
/ The Wild Places :
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© Rocky Productions 19/10/2013
