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 Chanteur US né 
Ronald Self, le 5 Juillet 1938 à Tin Town (Missouri), Ronnie Self a fait ses débuts en 1956 à Nashville, pour ABC Records. Il signe ensuite à la Columbia où entre Février et Décembre 1957, il grave l'essentiel de son oeuvre. Il passe en 1959 chez Decca où il enregistre quatre singles, puis chez Kapp, Amy et Scratch Records. Compositeur réputé, il a travaillé pour
 Brenda Lee. Ronnie Self est mort le 28 Août 1981 
à Springfield (Missouri).
 Chanteur US né 
Ronald Self, le 5 Juillet 1938 à Tin Town (Missouri), Ronnie Self a fait ses débuts en 1956 à Nashville, pour ABC Records. Il signe ensuite à la Columbia où entre Février et Décembre 1957, il grave l'essentiel de son oeuvre. Il passe en 1959 chez Decca où il enregistre quatre singles, puis chez Kapp, Amy et Scratch Records. Compositeur réputé, il a travaillé pour
 Brenda Lee. Ronnie Self est mort le 28 Août 1981 
à Springfield (Missouri).
 Why Ronnie 
Self never made it as a performer is one of the great mysteries and injustices 
of pop music history. He had the look and the sound — a mix of country, 
rockabilly, and R&B that sometimes made him sound like a white
Little Richard, but mostly like the 
young Elvis or
Carl Perkins — and he wasn't lacking 
for good songs, which he mostly wrote himself. He should have been there, 
thought of in the same breath as Perkins 
or Jerry Lee Lewis; instead, he's a 
footnote in rock & roll history outside of Europe, where he's treated as a 
legend.
 Why Ronnie 
Self never made it as a performer is one of the great mysteries and injustices 
of pop music history. He had the look and the sound — a mix of country, 
rockabilly, and R&B that sometimes made him sound like a white
Little Richard, but mostly like the 
young Elvis or
Carl Perkins — and he wasn't lacking 
for good songs, which he mostly wrote himself. He should have been there, 
thought of in the same breath as Perkins 
or Jerry Lee Lewis; instead, he's a 
footnote in rock & roll history outside of Europe, where he's treated as a 
legend. 
Self was born in Tin Town, MO, on July 5, 1938, the first of five children of 
Raymond Self, a farmer-turned-railroad worker, and the former Hazel Sprague. 
Self had a reputation as a wild boy, with incidents of vandalism and assault in 
his background. He became interested in music while still a boy, and began 
writing songs while in his teens. He was always submitting demos, and in 1956, 
Self got hooked up with Dub Albritton, who managed
Red Foley, among other artists, and owned 
a publishing house, and Self was signed to a songwriting contract. His first 
recording sessions were held in Nashville on behalf of ABC Records, which led to 
a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," 
both sides of which were written by Self. Issued in 1956, the record failed to 
chart — although ABC listed a second single release by Self, "Sweet Love"/"Alone," 
that disc has never been found, nor have the tapes for those two songs. 
In January of 1957, Self was picked by Albritton to perform as part of the 
Phillip Morris Caravan. Most of the acts on the package show were country 
players, and Self was the resident rockabilly representative — he quickly began 
attracting attention with his wild and highly animated stage act, not to mention 
the nature of his songs, which combined the intensity of R&B with high-energy 
rockabilly. His success on the tour helped get him a contract with Columbia 
Records in February of 1957. 
Self was back in the studio that month with a session band that included
Grady Martin and
Hank Garland on guitars with the 
singer, Floyd Chance, on bass, Buddy Harman on drums, and
Floyd Cramer at the ivories. The 
resulting single, "Big Fool"/"Flame of Love," failed to chart, and a third song, 
Self's own "Black Night Blues," was unissued until 1990. Four months later, he 
had another try with four numbers cut in June of that year, which fared no 
better than their predecessors. Then, in December, he went in for one more 
session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop 
a Lena." The raw power of Self's singing, coupled with the frantic beat, has 
resulted in "Bop a Lena" being labeled as the first punk single in some quarters. 
That might be a bit extreme, but not too far off the mark — that record moves, 
and it's just anarchic enough to be recognizable not only to modern rockabilly 
practitioners like the A-Bones, but lots of punkers as well. 
Self's career kept rolling, and in 1958 he even got picked for a screen test for 
the movie Rally Round the Flag, Boys. Meanwhile, "Bop a Lena," issued in 
the spring of 1958, began climbing the charts and eventually made it to number 
68 — not too high, but at least a beginning, or so it seemed. The single's 
success was, of course, welcomed, but it could not have come at a worse time. 
Self had married immediately after the "Bop a Lena" session, and by the time the 
single started to break around the country, the birth of Self's first child was 
an imminent prospect. He pulled out of the Phillip Morris tour and never made 
the screen test because of the birth of his son. 
Self's dropping out of the package tour was understandable. Coupled with his 
established reputation as something of a wild man and being somewhat unreliable, 
however, it led to his being all but barred from any major engagements, just as 
"Bop a Lena" was getting airplay and starting to generate sales. No live 
television variety show (and almost all of them were live then) was willing to 
book him for fear that he wouldn't turn up, "Bop a Lena" stalled low on the 
charts and disappeared soon after. By the end of 1958, Self was dropped by 
Columbia Records. 
It was a year of between his final Columbia session in March of 1958 and his 
next one, for Decca as part of a three-year contract, in the summer of 1959. He 
never charted a song as a recording artist during his time with Decca, but he 
did see some success as a songwriter when
 Brenda Lee covered "I'm Sorry." He had 
other songs covered by Lee, and also by
Jerry Lee, among other artists, and it 
was his songwriting that gave Self what little solvency he had in those years. 
By the early '60s, the bottom had fallen out of his reputation, however, as his 
chronic alcoholism began taking its toll. Pressured by the twin responsibilities 
of taking care of a family and maintaining a career, he chose the career, but he 
couldn't keep that going properly either. He left Decca in 1962 without a hit or 
many prospects and was signed to the Kapp label, where he cut a pair of songs, "Houdini" 
and "Bless My Broken Heart." 
An attempt to get Self onto the Amy-Mala-Bell labels fell apart in the mid-'60s. 
He continued writing songs and living out a chaotic personal life, which was 
characterized by increasingly bizarre and self-destructive episodes, some played 
out in public and many a product of his triple-threat addictions to alcohol, 
marijuana, and various pills. 
Self had some good moments and good times as a performer later in his career — 
he was especially highly regarded in Europe, practically like visiting royalty. 
The violent moments began to outnumber the others, however, and he deteriorated 
physically and mentally later on in life. By the early '80s, his condition had 
deteriorated more severely so that he couldn't work any longer. On August 28, 
1981, he died in Springfield, MO. 
Self left behind some 30 songs, and what is amazing is their sheer quality. As a 
singer and recording artist, he was a triple threat, equally strong as a singer 
of country ballads, hot white (and white-hot) R&B, and some of the fastest, most 
bracing rockabilly heard this side of the Sparkletones. It's been said too many 
times about too many performers, but as a singer, Self could have been another
Elvis Presley, and had the potential to 
be bigger — he lacked Elvis' dark, 
brooding, charismatic sexuality (although he had a dark side, to be sure), which 
translated well onscreen, but he could take a song and turn it into the hottest 
piece of Dixie-fried rock & roll this side of
Perkins, and with a frantic
Jerry Lee edge to it as well. He may 
have been a little too country-fried for the rock & roll market after 1956 (a 
problem that Perkins also ran into), 
but his songwriting had enough variety to keep his stuff fascinating, and the 
quality of his music was extraordinary.
https://en.wikipedia.org/wiki/Ronnie_Self
Talents : Vocals, Guitar
Style musical : Rockabilly, Rock 'n' Roll
| BIG FOOL 
	(1957)    
    AIN'T I'M A 
    DOG (1957)
    
	 
    BOP-A-LENA
    
	(1958)
    
	 
	Big Blon' Baby 
	(1958)
	 
    YOU'RE 
    SO RIGHT FOR ME
	(1958)
	 | 
     | 
Years in activity :
| 1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 | 10 | 20 | 
DISCOGRAPHY
Singles & EP
| 06/1956 | SP ABC-PARAMOUNT 45-9714 (US) | . | Pretty Bad Blues  / 
    Three Hearts Later  | 
| 11/1956 | SP ABC-PARAMOUNT 45-9768 (US) | . | Sweet Love / Alone | 
| 04/1957 | SP COLUMBIA 4-40875-c (US) | . | Big Fool  / 
    Flame Of Love  | 
| 09/1957 | SP COLUMBIA 4-40989-c (US) | . | Ain't I'm A Dog  / 
    Rocky Road Blues  | 
| 01/1958 | EP COLUMBIA B-2149 (US) |  | Ain't I'm A Dog  /
    
    Rocky Road Blues  /
    Big Fool  /
    Flame Of Love  | 
| 02/1958 | SP COLUMBIA 4-41101 (US) | . | Bop-A-Lena  / 
    I Ain't Goin' Nowhere  | 
| 05/1958 | SP COLUMBIA 4-41166 (US) | . | Big Blon' Baby  / 
    Date Bait  | 
| 09/1958 | SP COLUMBIA 4-41241 (US) | . | You're So Right For Me  / 
    Petrified  | 
| 1958 | EP PHILIPS 429 390 BE (NL) |  | Rockin' Ronnie 
	Self - 
    BBig Fool
	 | 
| 1958 | EP CBS CORONET KEP-126 (AUS) |  | Ain't I'm A Dog 
	-  
    Date Bait 
     | 
| 08/1959 | SP DECCA 9-30958 (US) | . | This Must Be The Place  / 
    Big Town  | 
| 08/1960 | SP DECCA 9-31131 (US) | . | So High  / 
    I've Been There  | 
| 1960 | EP COLUMBIA CBEP 56002 (BRA) |  |  
    Date Bait 
     | 
| 01/1962 | SP DECCA 31351 (US) | . | Something You Can't Change  / 
    Instant
      Man  | 
| 10/1962 | SP DECCA 31431 (US) | . | Oh Me, Oh My  / 
    Past, Present And Future  | 
| 06/1963 | SP CBS CW 281 209 (GER) |  | Teenbeat Serie 
	1 - 
    Bop-A-Lena 
     | 
| 08/1963 | SP KAPP K K-546 (US) | . | Houdini  / 
    Bless My Broken Heart  | 
| 10/1963 | SP CBS 1.209 (NL) |  | |
| 1967 | SP SCRATCH 9701/2 (US) | . | Long Distance Kiss /Ain't A Dandy | 
| 03/1968 | SP AMY 11.009 (US) | . | High On Life / The Road Keeps Winding | 
| 05/1968 | SP CBS 3423 (GER) |  | ROCK & ROLL AGAIN - 
    Bop-A-Lena  / 
    I Ain't Goin' Nowhere  | 
| 1981 | EP CBS LAAEP 101 (AUS) |  | Ain't I'm 
	A Dog - 
    Ain't I'm A Dog  / 
    Bop-A-Lena  / 
    Petrified  / 
    Date Bait  | 
| 02/2003 | EP NORTON 45-024 (US) |  | MR. FRANTIC - 
    Bop-A-Lena  / 
    Rocky Road Blues  / 
    Flame Of Love  / WTOL radio interview | 
| 2011 | SP Sleazy SR31 (S) |  | You're So Right For Me / Rocky Road Blues | 
| 2017 | EP Velocità 429 390 EP (I) (bootleg) |  | Rockin' 
	Ronnie Self - 
	Big Fool  / 
    Flame Of Love  / 
    Ain't I'm A Dog  / 
    Rocky Road Blues   | 
| 
		 | 
		 | 
| 
 | 
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| 
 | 
 | 
| 
 | 
 | 
Date Unknown
| ???? | EP NOT ON LABEL PB 001 (B) |  | 
	Teenbeat! VOL. 1 - 
	Rockin Ronnie - 
    Bop-A-Lena 
     | 
| ???? | EP 33 t. ROCKET '88' REP 001 (?) (bootleg) |  | Rockin' With 
	Ronnie Vol. 1 - 
    Bop-A-Lena 
     | 
| ???? | EP 33 t. ROCKET '88' REP 003 (?) (bootleg) |  | Rockin' With Ronnie Vol. 2 - 
    Ain't I'm A Dog  / 
	You're So Right For Me  / 
    I Ain't Goin' Nowhere  / 
    Flame Of Love  /
    Big Blon' Baby  / 
    Rocky Road Blues   | 
| ???? | EP Teenbeat! SELF 117 (?) (bootleg) |  | Rockin Ronnie 
	VOL1 - 
    Bop-A-Lena 
     | 
Unissued Tracks
| 19?? | Unissued - (Hydra CD 27113 (#8) / Redita [2nd series] LP 139 (#8)) | About Cured? | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#7)) | Ain't That Good Wood | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#17)) | Beat, Broke And Blue | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#2)) | Biggest Dog In Town | 
| 19?? | Unissued - (Bear Family CD 15436 (#11) / Colde LP LE2014 (#5) / Fantastic Voyage CD 098 (#37)) | |
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#10) / - Cotton Town Jubilee CD 4 (#13) / Flame LP 012 (#10) / Hydra CD 27113 (#1)) | Bop-A-Lena [alt. vers. 1] | 
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#25) / Hydra CD 27113 (#7)) | Boppin' The Blues [vers. 1] | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#5)) | The Boss' Daughter | 
| 19?? | Unissued - (Bear Family CD 15436 (#15)) | |
| 19?? | Unissued - (Redita [2nd series] LP 139 (#15)) | Get Out Of My Life | 
| 19?? | Unissued - (Bear Family CD 15436 (#29)) | |
| 19?? | Unissued - (Hydra CD 27113 (#5) / Redita [2nd series] LP 139 (#10)) | Grandma's Rockin' | 
| 19?? | Unissued - (Hydra CD 27113 (#9) / Redita [2nd series] LP 139 (#3)) | Hair Of The Dog | 
| 19?? | Unissued - (Hero CD 002 (#15) / Redita [2nd series] LP 139 (#1)) | Home In Your Hand | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#9)) | I Can't Kick You | 
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#6) / Hydra CD 27113 (#11)) | I Want You To Know | 
| 19?? | Unissued - (Hydra CD 27113 (#13) / Redita [2nd series] LP 139 (#12)) | Keep A Knockin' | 
| 19?? | Unissued - (Hydra CD 27113 (#14) / Redita [2nd series] LP 139 (#13)) | Long Train To Memphis | 
| 19?? | Unissued - (Hydra CD 27113 (#6) / Redita [2nd series] LP 139 (#11)) | Money Honey | 
| 19?? | Unissued - (Bear Family CD 15436 (#26)) | |
| 19?? | Unissued - (Hydra CD 27113 (#28) / Redita [2nd series] LP 139 (#4)) | My Own Kick Going | 
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#22) / Hydra CD 27113 (#10)) | Rocky Road Blues [alt. vers.] | 
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#28) / Hydra CD 27113 (#4)) | Roll Over Beethoven | 
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#15) / Hydra CD 27113 (#2)) | Short Fat Fanny | 
| 19?? | Unissued - (Bear Family CD 15436 (#19)) | |
| 19?? | Unissued - (Cotton Town Jubilee CD 3 (#31) / Hydra CD 27113 (#12)) | Sweet Little Sixteen | 
| 19?? | Unissued - (Redita [2nd series] LP 139 (#16)) | That Woman | 
| 19?? | Unissued - (Bear Family CD 15436 (#5) / Colde LP LE2014 (#7)) | |
| 19?? | Unissued - (Bear Family CD 15436 (#30)) | |
| 19?? | Unissued - (Hydra CD 27113 (#17) / Redita [2nd series] LP 139 (#14)) | When He Flies Away | 
| 19?? | Unissued - (Bear Family CD 15436 (#22)) | |
| 19?? | Unissued - (Hydra CD 27113 (#29) / Redita [2nd series] LP 139 (#6)) | Wild And Wooly Life | 
Need Information
| 19?? | Need info - (Hydra CD 27113 (#20)) | Bop-A-Lena [alt. vers. 2] | 
| 19?? | Need info - (Hydra CD 27113 (#19)) | Boppin' The Blues [vers. 2] | 
| 19?? | Need info - (Hydra CD 27113 (#3)) | Flame Of Love [alt. vers.] | 
| 19?? | Need info - (Hydra CD 27113 (#25)) | Here Comes Authority | 
| 19?? | Need info - (Hydra CD 27113 (#22)) | How Careless Of Me | 
| 19?? | Need info - (Hydra CD 27113 (#21)) | The Hurt Is Free | 
| 19?? | Need info - (Hydra CD 27113 (#26)) | I Started World War 1 | 
| 19?? | Need info - (Hydra CD 27113 (#18)) | I'm Gonna Try You | 
| 19?? | Need info - (Hydra CD 27113 (#27)) | I've Been Brought Down | 
| 19?? | Need info - (Hydra CD 27113 (#30)) | Waitin' For The Gin To Hit Me | 
Albums
| 1960 | LP 12" COLUMBIA 37109 (BRA) |  | Rock Infernal - Ronnie Self - Carl Perkins - Bop-A-Lena (Ronnie SELF) / Tutti Frutti (Carl PERKINS) / You're So Right For Me (Ronnie SELF) / Shake, Rattle And Roll (Carl PERKINS) / Big Blon' Baby (Ronnie SELF) / That's All Right (Carl PERKINS) / Flame Of Love (Ronnie SELF) / Long Tall Sally (Carl PERKINS) / Date Bait (Ronnie SELF) / Jenny, Jenny (Carl PERKINS) / Petrified (Ronnie SELF) / Ready Teddy (Carl PERKINS) / Big Fool (Ronnie SELF) / Good Rockin' Tonight (Carl PERKINS) | ||
| 1977 | LP 12" GOLDE 2014 (US) |  | 
 | ||
| 1986 | LP 12" Alligator 56.0077 (S) |  | Ronnie Self - Pretty Bad Blues / Three Hearts Later / Big Fool / Ain't I'm A Dog / Rocky Road Blues / Bop-A-Lena / I Ain't Goin' Nowhere / Date Bait / Big Blon' Baby / You're So Right For Me / Petrified / This Must Be The Place / Houdini / Bless My Broken Heart | ||
| 07/1990 | CD BEAR FAMILY 15436 (GER) |  | BOP-A-LENA - Bop-A-Lena / I Ain't Goin' Nowhere / You're So Right For Me / Ain't I'm A Dog / Too Many Lovers / Date Bait / Big Blon' Baby / Petrified / Flame Of Love / Big Fool / Black Night Blues / Pretty Bad Blues / Three Hearts Later / Rocky Road Blues / Do It Now / Bless My Broken Heart / This Must Be The Place / Big Town / Some Other World / Instant Man / Oh Me, Oh My / Whistling Words / Past, Present, And Future / So High / I've Been There / Moonburn / Some Things You Can't Change / Houdini / Go Go The Cannibal / Ugly Stick | ||
| 09/2001 | CD HYDRA 27113 (GER) |  | MR. FRANTIC IS BOPPIN' THE BLUES - Introduction by Biff Collie / Bop-A-Lena / Short Fat Fannie / Flame Of Love / Roll Over Beethoven / Grandma's Rockin' / Money Honey / Boppin' The Blues / About Cured? / Hair Of The Dog / Rocky Road Blues / I Want You To Know / Sweet Little Sixteen / Keep A Knockin' / Long Train To Memphis / High On Life / The Road Keeps Winding / When He Flies Away / I'm Gonna Try You / Boppin' The Blues / Bop-A-Lena / The Hurt Is Free / How Careless Of Me / Long Distance Kiss / Ain't I A Danoy / Here Comes Authority / I Started World War I / I've Been Brought Down / My Own Kick Going / Wild And Wooly Life / Waitin' For The Gin To Hit Me | ||
| 01/2019 | CD JASMINE JASCD 1003 (UK) |  | Ain't I'm A Dog! - Singles As & Bs 1956-1962 …Plus - Pretty Bad Blues / Three Hearts Later / Big Fool / Flame Of Love / Ain't I'm A Dog / Rocky Road Blues / Bop-A-Lena / I Ain't Goin' Nowhere / Big Blon' Baby / Date Bait / Petrified / You're So Right For Me / This Must Be The Place / Big Town / So High / I've Been There / Some Things You Just Can't Change / Instant Man / Oh Me, Oh My / Past, Present And Future / Black Night Blues / Too Many Lovers / Do It Now / I'm Sorry (Brenda LEE) / Sweet Nothin's (Brenda LEE) / Everybody Loves Me But You (Brenda LEE) / Anybody But Me (Brenda LEE) / Eventually (Brenda LEE) | 
© Rocky Productions 11/05/2019